Poems

"That is longing: To dwell in the flux of things,
To have no home in the present.
And these are wishes: gentle dialogues
Of the poor hours with eternity."

"Russia became for me the reality and the deep daily realization that reality is something that comes infinitely slowly to those who have patience. Russia is the country where men are solitary, each one with a world within himself, each one profound in his humbleness and without fear of humiliating himself, and because of that truly pious. Here the words of men are only fragile bridges above their real life."

Dostoievsky, whom Merejkovsky describes somewhere as the man with the never-young face, the face "with its shadows of suffering and its wrinkles of sunken-in cheeks ... but that which gives to this face its most tortured expression is its seeming immobility, the suddenly interrupted impulse, the life hardened into a stone:" this Dostoievsky and particularly his Rodion Raskolnikov cycle became a profound artistic experience to Rilke.

A sojourn in Russia and especially the acquaintance with the novels of Dostoievsky became potent factors in Rilke's development and served to deepen creations which without this influence might have terminated in a grandiose æsthesia.

"How shall I go on tiptoe
From childhood to Annunciation
Through the dim twilight
Into Thy Garden?"

The Prayers of the Maidens to Mary have not the mild melody of maidenly prayer; they vibrate with the ecstasy of expectant life, and the Madonna is more than the Heavenly Virgin, their longing transforms her into the symbol of earthly love and motherhood.

"deep into life, out beyond time."

"Without is everything that I feel within myself, and without and within myself everything is immeasurable, illimitable."

Poetry is reality's essence visioned and made manifest by one endowed with a perception acutely sensitive to sound, form, and colour, and gifted with a power to shape into rhythmic and rhymed verbal symbols the reaction to Life's phenomena.

The process of Art is on the one hand sensuous, the conception having for its basis the fineness of organization of the senses; and on the other hand it is severely scientific, the value of the creation being dependent upon the craftsmanship, the mastery over the tool, the technique.